This immediate reference to pleasure gives a mildly sexual tone to this poem, but it is of the totally innocent, almost naĂŻve kind. Therefore the kirtle embroidered with myrtle is not just a pretty rhyme and a word-picture of a desirable garment. As was stated earlier, obviously the shepherd wants the woman for just a period of time. And we will sit upon the Rocks, Seeing the Shepherds feed their flocks, By shallow Rivers to whose falls Melodious birds sing Madrigals. The poem is static in time, with no history or clearly defined future. Love can also refer specifically to the passionate desire and intimacy of romantic love, to the emotional closeness of familial love, or to the platonic love that defines friendship, to the profound union or devotion of religious love. But it is a completely complementary line to the one above it which contains an almost perfect match of nine iambic syllables , and creates movement and motion in the poem.
Much like pastoral poetry is able to reimagine an impoverished, rural landscape as a type of artistic Eden, the speaker is able to paint their future life together as simple and happy. The meter provides a great deal of music and creates flow in the poem. I think that says something. That is a much more clever piece of poetry. This is another convention of pastoral poetry. The offer is simply put and the speaker suggests that the woman should just as easily agree. And we will sit upon the rocks, Seeing the shepherds feed their flocks, By shallow rivers to whose falls Melodious birds sing madrigals.
While the delights of the countryside and the rural life of manual labor are celebrated, the poet and the reader is assumed to be noble, or at least above manual labor. The pleasant poetry represents a poetic way to create a pastoral landscape. In addition, he has used floral to suggest fertility of the countryside. These forms such as stylized addresses to the mistress, a funeral elegy, apostrophes and the like make up a large portion of Amores, and the narrative is secondary. We invite you to respond to the poemsâtheir forms, images, sounds, meanings, surprisesâask questions of Karen and each other, and write your own poems along the way. The poet used anaphora at the beginnings of some neighboring lines.
The first stanza of the poem sets up the theme of unreality: this is not a realistic vision of the world but rather an idealized and romanticized portrayal of the life this shepherd promises to his love. We know what the passionate shepherd said, but what his love replied, we are not told. Marlowe chose his words with very great care. The speaker lives in an ideal society where everything is perfect. This slight change to the line allows the woman to choose now that she has heard his argument as to why she should live with him. But in Marlowe's poem, the introduction of sexual desire inserts the woman into the scene; she too will witness the flocks feeding and enjoy the peacefulness of country life. Coincidentally, the plants that are mentioned in the poems, including flowers, roses and myrtles, are symbols of romance.
Knowing this, it may make the woman question whether or not she should get involved with this man. Myrtle was an appropriate nature symbol from the Greek and Roman mythologies from which the first pastoral poems come to insert into a love-poem. The aspects of rural life and countryside are more appealing for use as imageryâfor the delivery of the image and tone of the poem. My ignorance allowed me to believe that Marlowe's poem was simply about a confession of love in an eloquent fashion and that Sir Walter Raleigh's reply was merely a rejection of that very confession⌠1069 Words 5 Pages Comparing The Passionate Shepherd To His Love, Her Reply, and Cecil Day Lewis When looking at these three poems, it immediately becomes noticeable that all of them are very similar. Iambic foot: unstressed syllable followed by a stressed syllable. Much like words used to create Eden, the speaker's use of these hyperbolic words promises unreal items to his lover.
Though the poems were at least 1400 years old when Marlowe translated them, he put them into the Elizabethan English of his day with considerable verve and poetic vividness and with the occasional error in translation. I think it was such an intimate thing between poet and reader. A toolbox of poetic devices is available for the writer, and much drafting and re-drafting has been necessary before a poem is judged ready to face the world. Considering that it was written, probably, in Marlowe's late adolescence, and if read as a superficial exercise in the practice of a very old form of poetry, it can seem to be light and insubstantial. Generally this song consists of two or three stanzas with a long ritornello, an instrumental interlude or recurring theme. There are so many flaws in this poem.
As the promises continue to drift outside the realm of what the speaker can actually guarantee, the speaker makes a crucial change of gears. While certainly many of the adornments Marlowe lists would be within the power of a real shepherd to procure or make the slippers, the belt, possibly the bed of roses in season , the cap of flowers, and the many posies, and possibly even the kirtle embroidered with myrtle and the lambs wool gown, but the gold buckles, the coral clasps, and the amber studs would not be easily available to the smallholder or tenant shepherds who actually did the work of sheepherding. Not to mention Marlowe's conceit. This poem appeals to the human senses so that it appeals to the reader. I can't help but detect some plagiarism. Autoplay next video Come live with me and be my love, And we will all the pleasures prove That valleys, groves, hills, and fields, Woods, or steepy mountain yields.
Suggesting a touch of despiration? These poems, which included poems by Sir Thomas Wyatt and Henry Howard, were traditional love poems, characterized by the pleas of a rejected suitor who would find solace in the soothing atmosphere of country life. I am a little skeptical about this poem being written about another man, simply because I can't picture a guy wearing a skirt embroidered with myrtle leaves. But any studied analysis of the poem reveals its depth; the poem can be read as containing irony as written by an urbane man who longed for the city rather than the country, and thus constructed impossible rustic scenarios , serious and heartfelt emotion, a slight political commentary, a gentle sadness, and a transcendent love of nature. It shows that he has good character because he wants to treat and spoil her in a special manner. . The rose, especially, was sacred to the goddess Venus and it is how roses have come to symbolize romantic love in some modern Western cultures.